Ana Sayfa

Eser Gündüz is an expressionist artist based in İstanbul

He mostly emphasizes to varied utopias throught the achitectural basis. He feels the different moments on the utopias, and make with the power of balance and senses on the painting. Afterwards he compounds this works onto his artwall. In here, this shapes generate the magnetic power with other painting acts.

Ghost Vector

Solo exhibition in Milan 20.11.2020 -10.01.2021

Roman Sviridov Gallery

Now available new book Lilith & Adam

Lilith & Adam, the first of the mythology art booklets is now available.
The mother of all demons and abomination of the earth, the first wife of Adam, Lilith’s myth is not a love story, but a story of rebellion and domination, pleasure and pain, fire and lust.
Art by Eser Gunduz
Story by Idil Basural.

Artbooks currently on etsy

Books as 10 different series and compilations since 2019 from different periods

Architecture series

Artistic perception of Architectural morphology and forms on human space

Architecture # 2

Artistic perception of Architectural morphology and forms on human space

Artificial Intelligence

More powerfull robots their geometries and their thoughts

An interview with abstract.mag & Roman Sviridov Gallery

Hi Eser, could you tell us a little about yourself and how your journey to the world of art began?

I am thirty years old and I live in Istanbul. I can summarize my art journey in three stages: at the earliest, I was just drawing, it was a period when I tried to understand what the line and drawing were; we can define the next period academically, I have met with universal drawing techniques in this transition period, where we have just studied the details we see; then the architectural period, thanks to the universal language of this period, and my art became more and more architectural; now I am in the abstract period of synthesis of them all.

What do you mean by the architectural period, is it related to your education?Yes I mean the architecture education I received at Mimar Sinan Fine Arts University naturally affected my work in this direction. This process shaped my artist identity in this direction, as the school provides education in bauhaus school. Later, I also made architectural studies in a global framework. But I think that architecture remains pure in today’s world. It is quite difficult to get the right ideology and the lines of this ideology perceived and accepted in the social sense. In architectural practices, many factors like this can break down your ideas and thoughts. But we can think that they are all one in the art process; architecture, painting, graphics and many other dimensional studies are all called unified visual arts. You can realize the right production on every surface as a designer and I basically had to make a distance with architecture and search in order not to be corrupt in art. I knew I would be a happier and more productive producer with painting, and it happened as I guessed. The harsh attitudes and certainty in architecture turned the intense mess in painting into clear lines rather than uncertainties. This night has let me to the idea that no assertive and unreasonable behavior should be in art. Thanks to the multidisciplinary perspective, we can see the picture from different places. In this way, I was able to set up my paintings in line with the ideology that I believed more and not my beauty. For me, every line should serve a function and it must have a reason. The story is the story, the form is the form… Many elements in my drawings and paintings come from here and I call it all architectural morphology.

Collaboration with Franck Muller 2020

A shared experience with Spanish fine beer brand Estrella Galicia on an Art Mechanical.We combined mechanical art and the dimensions of concept of time in the same space with Franck Muller

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